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An Interview With – Producer Macdara Kelleher

Resources_Prod_133 - Macdara Kelleher2Macdara Kelleher is managing director of Fastnet Films. He produced the award-winning feature film Kisses (an Irish/Danish/Swedish co-production) and was also selected as Ireland’s Producer on the Move for Cannes in 2008.

How would you define what a producer is and does?

Start with an easy question why don’t ya? It’s almost impossible to answer that, there’s so many different types of producer out there. Sometimes you originate the idea or come up with the initial concept or sometimes a writer/director comes with an idea and it’s your job to realise that. In one way you could say that the producer is the person who brings the project to life. Some days you’re a lawyer or an accountant and some days you’re creative, it’s hard to define…

What training or experience really helped you become a producer?

I started working on films when I was about 18. I think just being around films and filmmaking gave me a good understanding of how it works. If you’re shooting a film in the North Pole, and you haven’t done it before, no amount of training or experience is going to prepare you for that. Every time you do a co-production with a new country it’s a whole new set of rules. It’s kind of like a game of chess, you’re always developing new strategies.

What’s the most unusual way you’ve ever funded a film?

I funded one with credit cards, I wouldn’t recommend it. Sometimes you might come across a private investor who happens to be a philanthropist but it doesn’t happen very often. Also, taking private money for features and promising to give it back can be a dangerous process. In America they’re quite canny about funding, largely because outside of tax credits they have no public film funding like in Europe.

Do you find raising finance the hardest part of producing?

It depends. If you have a director that people know or you have a great cast attached then it might not be so hard. If you’re working with a first-time director it can be difficult, but in that case you have to set the budget to an achievable level. Budget levels are coming down across the board and that’s proving difficult.

What has been your proudest achievement as a producer?

To be still at it, I think. I’ve been doing it for ten years now. I’m still at it and I’ve kept a company going. The film that I’m most proud of having made would definitely be Kisses.